27 December 2009
Worth Pondering: Question Of A Lifetime...
25 December 2009
A Very Happy Puppy...
22 December 2009
A Very Special Meeting...
20 December 2009
It Truly Is The Most Wonderful Time Of The Year...
16 December 2009
the Sing-Off...
15 December 2009
Gotta Love HIMYM....
14 December 2009
Looking To The Tunnel's End...
I wanna be in the Light
The disease of self runs through my blood
Tell me, what's going on inside of me?
Honesty becomes me
Tell me, what's going on inside of me?
[There's no other place that I want to be]
12 December 2009
30 November 2009
11 November 2009
For All Who Have Served And Their Families...
Two Minutes...
05 November 2009
The Fifth Of November...
I know of no reason
Why the Gunpowder treason
Should ever be forgot!
Did the scheme contrive,
To blow the King and Parliament
All up alive.
To prove old England's overthrow.
With a dark lantern, lighting a match!
A stick and a stake
For King James's sake!
I'll take two,
The better for me,
And the worse for you.
A rope, a rope, to hang the Pope,
A penn'orth of cheese to choke him,
A pint of beer to wash it down,
And a jolly good fire to burn him.
Holloa, boys! holloa boys! God save the King!
04 November 2009
To Save Or Bury A Battlefield...
03 November 2009
A book by it's cover, perhaps...
by Paul Caputo
As a child, I visited Williamsburg, Virginia, with my family. Prior to the trip, I spent months anticipating a day at an amusement park called Busch Gardens. I was consumed with and petrified by a roller coaster called the Loch Ness Monster, which featured multiple loops and a 114-foot drop. I studied photos of the roller coaster in a Busch Gardens brochure and wondered if I would have the courage to get into one of those metal, yellow cars when the time came to do so. (I would, and it was great.)
My 10-year-old brain had blocked out the fact that Busch Gardens would only be one part of a vacation that included several other sites. So you can imagine my surprise when, on the first day of the trip, I found myself not on the greatest roller coaster ever, but watching a living history interpreter in period costume demonstrate how Colonial-era Americans made brass doorknockers.
Once I stopped comparing the relative adrenaline rushes associated with the Loch Ness Monster and brass doorknockers, I appreciated the immersive historical experience of Colonial Williamsburg. I may not have understood all of the history I was seeing, but I left (in spite of myself) with an appreciation of how different my life was compared to what it might have been 200 years earlier. I learned something about the origins of my country and the people who made it what it was.
What I did not appreciate at the time was all of the discussions that go on behind closed doors at sites like Colonial Williamsburg. I did not think about how easy it would have been for poorly researched or inexpertly presented first-person interpretation to warp a visitor’s sense of what life was like in the Colonial era. It never occurred to me that management might have chosen to use interpreters in contemporary dress to educate visitors in the third person. Once I bought into the experience, I never questioned that what I was seeing was anything but purely authentic or that there was any other way to present it.
At a site like Colonial Williamsburg, I am confident that the living history presentations were then and continue to be of the highest quality. However, whether it is because of poor planning or a lack of resources, that may not be the case at every site. This issue of Legacy discusses some of the many factors that go into creating and providing effective, genuine historical experiences, and explores the whys and hows of different methods of doing so.
Author Paul Caputo has been the art and publications director for the National Association for Interpretation (NAI) since February 2002. He earned a master of fine arts in visual communications from Virginia Commonwealth University in 2001 and a bachelor of arts from the University of Richmond in 1995. He is a Certified Interpretive Trainer and the editor of Legacy magazine, and he has presented sessions on graphic design and interpretation nationally and internationally. Paul lives with his wife, Sheila, and their children, Joel and Maya, in Fort Collins, Colorado.
16 October 2009
Welcome Georgia Elizabeth!!!
01 October 2009
I've been working here too long...
14 September 2009
Courtesy Freelance-Star 09-14-09
Game slides history lesson into 1859 fair
September 14, 2009 12:36 am
BY CHELYEN DAVIS
In September 1859, there were still slaves in Spotsylvania. Virginia hadn't yet seceded. John Brown's raid in Harper's Ferry was a month off. The Montpelier Guard militia was as much a social club as a fighting force. No one had heard of the Confederacy, nor made distinctions between who wore blue and who wore gray.
It was a time Spotsylvania County tried to re-create, in small part, this weekend with the first "Past in the Present" fair.
The fair, held Saturday and Sunday in the courthouse area, was part of the state's commemoration of the 150th anniversary of the Civil War.
Speakers enacted political debates of the time, including a debate over potential secession. A man sang slave songs. A medicine show entertained old and young alike.
Those who came Sunday might have seen two club nines use a willow to hit the apple then leg it around the bases for an ace.
It was vintage baseball, which comes with its own terms, and rules, circa 1864.
That meant three balls were a walk, and if a ball was caught after one bounce, it was still an out. Pitches (from the "hurler") were underhanded.
"Before TV, million-dollar contracts, and gloves," is how Bruce Leith described the vintage game. Leith is from of the Eclipse Base Ball Club of Elkton, Md., one of the teams playing.
Leith said his group is a reconstitution of a club that was formed in 1866.
The team plays with wooden bats and wears uniforms that look like those of the era--long-sleeved woolen shirts and knickers.
Leith said in the 19th century, chambers of commerce would outfit the local team, trying to make them look as spiffy as possible because when they traveled, they were walking billboards to lure tourists to their hometown.
Leith said the team travels the East Coast, mostly D.C. and north, to play other vintage teams.
Their opponents yesterday were the newly-formed Pastime Base Ball Club of Williamsburg, who were playing their first game.
Team member Stephan Zacharias said most of the team members work at Colonial Williamsburg, so historical reenactment "is a field we're all familiar with."
For them, Zacharias said, playing vintage baseball isn't just about the sport.
"This is more about the history of the sport for us," he said. "It is an educational opportunity as well as an opportunity to have some fun."
In another field were members of the Montpelier Guard, a military reenactment group.
They said the Montpelier Guard was a pre-Civil War militia group that later became the 13th Virginia Infantry, Company A, when the war started.
In 1859, though, they were men in blue uniforms--something they said startles people, who don't realize that blue was a popular military color in both the North and South before the war, and was standard for Virginia militias.
"A lot of people come up to us and say, 'Oh, you're Yankees' because we're wearing blue," said Steve Blancard of Fredericksburg.
Blancard actually wasn't wearing blue; he was dressed in period clothing, but was portraying a new recruit, one who might have shown up to the militia with his grandfather's Revolutionary War-era flintlock musket (which Blancard was carrying).
With him were Guy Tirk of King George and Rich Rossmiller of southern Stafford.
They said the Montpelier Guard helped provide security for John Brown's trial and helped escort him to his hanging.
Normally, the men's re-enactment activities are more centered on the war itself. But they said portraying the time right before war started is a good way to educate the public.
"It gives us a chance to step back and start telling the history of before the war," Blancard said, a history that is "often overlooked."
Next year Spotsylvania will hold an 1860 fair, and will continue annual fairs during the commemoration of the 150th anniversary of the war.
"Right now we're building awareness," said Rachel DeLooze, the county's tourism and marketing coordinator, who helped organize the fair.
She estimated Saturday attendance at around 1,000, saying all the food vendors ran out of food.
"It's been a really good turnout, especially for a first year," DeLooze said.
She plans similar activities for next year's fair, and hopes there might be interest in forming a local vintage baseball team.
spotsylvania.org/150CW.htm.
Chelyen Davis: 540/368-5028
Stephan Zacharias (left) of the Pastime Base Ball Club of Williamsburg and Glyn Richards of the Eclipse Base Ball Club of Elkton, Md., perform a bat toss before their game at Spotsylvania's 1859 county fair yesterday. Val Povinelli tries to slide into first base against Glyn Richards during the vintage baseball game held at Spotsylvania's |
09 September 2009
Courtesy Virginia Gazette 09-09-09
Turning back the clock
The Pastime Base Ball Club shows how the game was played 150 years ago. |
Pastime Base Ball Club plays the game 1864 rules
By John Harvey
Have you ever wondered what baseball looked looked like 150 years ago?
Ron Carnegie and Stephen Zacharias are giving baseball fans in greater Williamsburg that opportunity with the Pastime Base Ball Club.
This vintage club is dedicated to building interest in the history of baseball, offering education and entertainment to people on the Peninsula.
Carnegie formed the club in greater Williamsburg last fall as a means to show how baseball was meant to be played.
“The game really lives up to its gentlemanly nature,” Carnegie said. “The clubs play for fun and education. Certainly they want to win, but [enjoying] the game is more important. It is a game of honor.”
Vintage baseball growing throughout the United States, with approximately 250 clubs throughout the country. The Pastime Base Ball Club is a member of the Mid-Atlantic Vintage Baseball League, which includes seven clubs between Maryland and North Carolina.
Games are played by baseball rules of 1864, which differ somewhat from that of the modern game. For example, players do not use gloves and foul balls are not taken as strikes. In addition, outs can be recorded by a catch from a fly ball or on one bounce.
Pitchers stand 45 feet from the batter, known as the striker, and must throw underhanded. A gentlemanly game, players determine outs and umpires serve more as announcers than officials. Fines are given for rude behavior, swearing, spitting or arguing with the umpire.
“This is where rec softball players go to retire,” said Zacharias, who joined the club earlier this year. “People think you have to be athletic to play. This is basically T-ball for grownups.”
Zacharias is no stranger to vintage baseball. He grew up in Oregon and got involved with a similar club there. “I just love the time period and the spirit of the game,” he said.
“I like playing softball and this is really similar to playing in the rec leagues. Plus, it gives me the opportunity to get back into [interpreting] 19th century stuff.”
History is also important to Carnegie. He works as a historical interpreter at Colonial Williamsburg. A former Civil War re-enactor, Carnegie admits playing vintage baseball is a nice change of pace.
“My first involvement with historic baseball was as a re-enactor many years ago,” he said. “Back then the game was really being played mostly as an adjunct to other activities. I have long had an interest in the history of games. I thought the idea of re-enacting a sport was so more pleasant than re-enacting war.”
Carnegie estimates that more than 25% of modern vintage clubs have historical backgrounds, but admits the league is open to everyone
“Vintage ballists come from all sorts of backgrounds.” He said. “Some are re-enactors or historians, some just love playing baseball, some just came out and thought it looked fun.”
Most teams field rosters of 15 players for games, which would guarantee the required nine players needed for a game. Carnegie said the Pastime Base Ball Club is still seeking members.
“Any adult can participate to some degree,” Carnegie said. “The game calls for a certain amount of physical activity, of course, but it is common to find a large range of ages playing. For the present, only an eagerness to play is required.”
The Pastime Ball Club is slated to make its debut with an exhibition game against the Elkton (Md.) Eclipse this Sunday, Sept. 13, at Spotsylvania Courthouse near Fredericksburg. The game will be part of the Spotsylvania 1859 County Fair.
More — If interested in participating in the Pastime Base Ball Club, visit pastimebbc.com or e-mail Carnegie at mail@pastimebbc.com.
25 August 2009
19 August 2009
18 August 2009
10 August 2009
A New Year...A New Decade Ahead...And Some New Plans...
For those of you who don't know I turned 30 on August 1st. It was definitely an eventful week leading up to my birthday as both my parents flew in to visit me for my birthday and before I could even get them to the hotel for their first night together in town, the rear differential on my Jeep Grand Cherokee caught fire with all three of us inside...should you care to know more about that incident feel free to read about it over on my mother's blog...just keep in mind her telling is a little bit more dramatic than what actually occurred but it gives you a pretty good idea of what took place that night.
Since my car was out of commission after that (and is still to this day) mom and dad had to rent a car for the reminder of their time here. I had to work on my birthday and so did everyone I know here in town so after work that day I celebrated at home with my parents and a few co-workers by having a 30-minute, 30th Birthday Bash...the cake you see above was made by one of my co-workers and probably the best friend I have in Virginia, Amaree pictured here with Portia.
And let me tell you this was in all probability one of the greatest cakes I have ever tasted in my life. It was a two layer chocolate with chocolate chips cake with this chocolate fudge frosting...it literally had the consistency of Christmas Fudge...no lie. Amaree was afraid that it wouldn't turn out since it was her first time making a cake like this, but as my buddy Canada would say it was: "GREAT SUCCESS!"
I will admit I have been a little frustrated this week not having my own source of transportation...Williamsburg is not exactly pedestrian friendly outside of the Colonial Williamsburg Historic Area. I suppose at this point a bicycle will be a wise investment for me and I have be searching Craig's List pretty regularly in search of the perfect road bike, although as far as grocery shopping and transporting Portia goes I am not so sure a bike is going to cut it. Here's to keeping my fingers crossed that the auto shop can fix my Jeep on the cheap!
I must also admit that I was not looking forward to turning 30 this year, nor was I looking forward to starting a new decade in life...the thing that for some reason bothered me the most was not being able to check the box 24-29 on applications or the visitor card at church...I must now check the box that just says 30. HOWEVER, I will admit now that my birthday has come and gone with very little fanfare and not as much drama as I had anticipated up until my birthday I will admit 30 isn't so bad. I have even taken the time to set a few short term goals for myself...I am not going to go into all of them at this point but I will share one that all of you can help to hold me accountable on:
As of tonight, I have applied to become a Professional Plus Member of the National Association of Interpreters where I will join the Cultural Interpretation and Living History Section of NAI. My goal is to become a certified NAI interpreter by August 1st, 2010. This is a huge step for me towards taking myself and my career as a Living History Professional seriously.
Some will say that joining NAI isn't necessary to what I do or to my career, however, if I wish to advance in my field this organization is one that will give me the tools to advance. Also, many sites that hire Living History Professionals either require NAI certification or highly desire it as part of the application process.
So as I begin this new decade of life in my 30's I look forward to the new adventures I shall take starting with this step to take my career and myself a little more seriously.
06 August 2009
My Life In The Theatre (thus far) Quiz...
2) What was your most recent show? What job/role? Currently I work as an Actor/Interpreter for Colonial Williamsburg’s Revolutionary City where I portray James Innes, John Beckley, and Edmund Randolph.
However, my last stage play I portrayed Norman Dewars in THE NORMAN CONQUESTS. As Norman Dewars
3) What was your favorite show/role?
LOVE LETTERS by AR GURNEY where I played Andrew Makepeace Ladd III. This was my senior project in high school where I co-directed, co-starred, and co-designed this show with my cast mate and crew. We broke all of Mr. Gurney’s rules regarding his show and had a blast doing it.
4) What was your most challenging show/role?
This is a tie for me: Man from THE TURN OF THE SCREW or Blake Eaton from HOLE IN THE SKY.
5) What is the most bizarre show or role you've ever done?
I would have to say Revolutionary City at Colonial Williamsburg is the most bizarre show I have ever been a part of.
6) Has anyone ever written a show for you?
Not for me, however, I have been told on a couple of occasions that I have inspired composite characters in several shows.
7) Have you ever quit a show to accept a better one?
Nope.
8) Have you ever completely blown character on stage?
I have to say yes cause I am sure I have…but honestly I can’t remember specifically when.
9) What show(s) are you just dying to do?
BILOXI BLUES, CELEBRITY ROW, MUCH ADO ABOUT NOTHING, and TWO GENTLEMEN OF VERONA
10) Have you ever done one of your "dream" shows?
MACBETH (as Banquo and Macbeth understudy)
11) Who was/were your favorite director(s)?
John Remington, the man who inspired my career and Craig McIntosh who has always been there to advise and guide me to become better. And I wish I could have been directed in a show by my professor Loren Reynolds he is one of the best I’ve seen and yet to work with.
12) Who was your least favorite director?
There are a couple that come to mind and they know who they are.
13) What is the most surprising role you have ever been offered?
Lt. Yolland in TRANSLATIONS by Brian Friel
14) Have you ever injured yourself onstage or offstage?
Nothing serious…but have suffered wounds in combat yes.
15) What show(s) have you done multiple times?
FIDDLER ON THE ROOF (Fyedka round one. Constable round two.)
TAMING OF THE SHREW (Gremio round one. Grumio round two.)
THE SPOILERS (Roy Glennister both times)
16) Have you ever had an onstage kiss?
FIDDLER ON THE ROOF (Fyedka)
SCAPINO! (Leonardo)
MACBETH (Macbeth: the understudy show)
TRANSLATIONS (Lt. Yolland)
MOVE OVER MRS. MARKHAM (Henry Lodge)
LEND ME A TENOR (Tito Morelli)
17) What was your scariest moment in a show?
SCAPINO! The 2nd story railing I was holding onto broke away from the set and I almost fell on top a spear being pointed at me by one of the other actors onstage while I fell/scrambled down the set.
18) What is your best show memory?
My senior year of high school I was a part of the best theatre program in Oregon. My friend Melissa Wilde (now Smith) and I won the state acting competition for the Duo Serious Experienced category with our selection from LOVE LETTERS…I will always remember us being the last two standing on the stage at the end of the day and getting the opportunity to perform right there in front of all the theatre programs represented at state that year. Also, Melissa and I were a part of CHILDREN OF A LESSER GOD that was selected as one of the best shows in Oregon that same year. We got the opportunity to travel to Eugene and compete at the state level. Both that cast and Melissa and I were selected to showcase at the International Thespian Festival at the University of Nebraska in Lincoln, Nebraska. Melissa and I finished in the Top 4 that year and we all had several amazing road trips that year…memories that I will always treasure.
19) What is your worst show memory? Fred Phelps and his so-called church the Westboro Baptists putting out a fax and fliers claiming I and my fellow cast mates of THE LARAMIE PROJECT were on our way to hell to join Mr. Rodgers Neighborhood for being a part of that show.
20) What is your saddest show memory?
HOLE IN THE SKY…the entire show is about the second tower that fell on 9/11. We played composite characters that were based on the people who worked and died in that tower. The show all takes place in the time it took for the tower to fall after impact. This tower was the one where no one survived above the impact. This was a very sad and yet very rewarding show. I received an American College Theatre Festival/Kennedy Center National Selection Committee Award for Excellence in Acting for my portrayal of Blake Eaton, the dead man on the desk.
21) Do you have any theatrical superstitions?
I did until I actual did the play Macbeth more commonly referred to as the “Scottish Play” for those who have yet to perform in it.